Mixed media, in visual art, refers to an artwork in the making of which more than one medium has been employed.
There is an important distinction between “mixed-media” artworks and “multimedia art”. Mixed media tends to refer to a work of visual art that combines various traditionally distinct visual art media. For example, a work on canvas that combines paint, ink, and collage could properly be called a “mixed media” work – but not a work of “multimedia art.” The term multimedia art implies a broader scope than mixed media, combining visual art with non-visual elements (such as recorded sound, for example) or with elements of the other arts (such as literature, drama, dance, motion graphics, music, or interactivity).
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When creating a painted or photographed work using mixed media it is important to choose the layers carefully and allow enough drying time between the layers to ensure the final work will have integrity. If many different media are used it is equally important to choose a sturdy foundation upon which the different layers are imposed.
A phrase sometimes used in relationship to mixed media is, “Fat over lean.” In other words: “don’t start with oil paints. Plan to make them the final layer.”
Many effects can be achieved by using mixed media. Found objects can be used in conjunction with traditional artist media, such as paints and graphite, to express a meaning in the everyday life. In this manner, many different elements of art become more flexible than with traditional artist media.(wikipedia) mixed media art for sale
One of my great pleasures is to turn unpracticable objects or pieces of paper into an artwork that can stay not in a trash can but on the big walls in an exhibition and on this site…
Far from being an art movement confined to the annals of art history, Cubism and its legacy continue to inform the work of many contemporary artists. Not only is cubist imagery regularly used commercially but significant numbers of contemporary artists continue to draw upon it both stylistically and perhaps more importantly, theoretically. The latter contains the clue as to the reason for cubism’s enduring fascination for artists. As an essentially representational school of painting, having to come to grips with the rising importance of photography as an increasingly viable method of image making, cubism attempts to take representational imagery beyond the mechanically photographic, and to move beyond the bounds of traditional single point perspective perceived as though by a totally immobile viewer. The questions and theories which arose during the initial appearance of cubism in the early 20th century are, for many representational artists, as current today as when first proposed.